Miguel Pedraza Sr.

Tigua drummer and chanter

Media

Javier Loera answers the question "What do you remember about Miguel Pedraza Sr.?" Interview with Alan Govenar. Recorded by Alan Govenar. El Paso, Texas, 2011.

Javier Loera talks about Tigua songs. Interview with Alan Govenar. Recorded by Alan Govenar. El Paso, Texas, 2011.

Javier Loera talks about the role of tradition in culture and music. Interview with Alan Govenar. Recorded by Alan Govenar. El Paso, Texas, 2011.

Miguel Pedraza Jr. answers the question "What kind of man was your father?" Interview with Alan Govenar. Recorded by Alan Govenar. Socorro, Texas, 2011.

Miguel Pedraza Jr. answers the question "What is the meaning of culture and tradition in music?" Interview with Alan Govenar. Recorded by Alan Govenar. Socorro, Texas, 2011.

Miguel Pedraza Jr. talks about his father's importance in the tribe. Interview with Alan Govenar. Recorded by Alan Govenar. Socorro, Texas, 2011.

Miguel Pedraza Jr. answers the question "What is the importance of passing on the tradition of chanting?" Interview with Alan Govenar. Recorded by Alan Govenar. Socorro, Texas, 2011.

FOR THE TEACHER

Introduction

Many people associate the Pueblo Indians with New Mexico, but the Tigua have lived in Texas since the 17th century. In fact, the Ysleta Mission, founded by the Tigua Indians in 1682, is the oldest parish in Texas. In Spanish “del Sur” means “of the south,” distinguishing Ysleta del Sur Pueblo, located in El Paso, Texas, from the mother pueblo of Isleta of the north, located just south of modern-day Albuquerque, New Mexico. The old Spanish spelling with “Y” has been retained for Ysleta del Sur Pueblo.

Miguel Pedraza Sr. grew up very poor but surrounded by tribal chants and drumming. His father died during a gun battle with the Texas Rangers, and his guardian had been an Indian scout for the US Calvary.

In addition to passing on chants and drumming, Miguel Pedraza Sr. taught Tigua language, keeping it from becoming extinct. He was a strong advocate for state and federal tribal recognition and spent his last years as a tribal leader.

Objectives

Students may:

Big Ideas

"We're Still Here"

Natural Texas

Diversity

Materials

Miguel Pedraza’s story and photos
Radio clip
Everyday Music Field Notes
Traditions Venn Diagram 

Time Required

1-2 class periods

Subjects

Texas history, social studies, English language arts, music

Preparation

Review Miguel Pedraza’s story and the media clip. Choose Big Ideas that you find relevant to your curriculum and your students. Review Tigua history and the migration maps and timeline on the website Ysleta del Sur Pueblo www.ysletadelsurpueblo.org. Copy Everyday Music Field Notes and other worksheets students will use and cue the audio clip. 

Listen to Miguel Pedraza’s son, Miguel Pedraza Jr., talk about his father and process of tradition. 

Class Discussion

Students may read the story and listen to the audio story independently, in groups, or as a class. Using the Everyday Music Field Notes worksheet will help them focus more closely. In a class discussion, raise some of the Big Ideas above, depending upon your curriculum and students’ needs and grade level. Here are questions to spark discussion:

Suggested Activities

Students may work independently or collaboratively to:

Research Tigua and Pueblo Indian history and migration since the 17th century (see Resources). Make a map and a timeline to present your discoveries. In a class presentation, try to include recordings of Tigua and other Pueblo Indian drumming and chanting.

Investigate Tigua land holdings in Texas from 1680 to the present (see Resources). Research lands that the National Park Service administers and how the Tigua can access sacred lands. Make maps that include present-day El Paso to present your findings.

Use the Traditions Venn Diagram to compare the culture and history of the Tigua with another Texas tribe such as the Apache or Comanche. Elements to consider include how tribes govern, work, dance, drum, chant, and sing.

Draw two images of Miguel Pedraza’s large drum, which he describes as made of buffalo hide and cottonwood, three feet wide and fifteen inches tall, with the sun on one side and the moon on the other. 

Assessment Strategies

Discussions
Field notes
Presentations
Maps
Timelines
Venn diagrams
Drawings

Vocabulary

adobe
ceremony
chant
drum
federal and state recognition
Pueblo Indians
Pueblo Revolt of 1680
reservation
Tigua
tribal governor
tribe
Ysleta del Sur Pueblo

Standards

Analyze information
Use and create primary sources
Natural Texas
Native Americans
Diversity

Resources

Websites

ArtsEdge video of Joseph Bruchac, an Abenaki author of many books for young people, describes the importance of the drum to Native Americans http://artsedge.kennedy-center.org/multimedia/series/VideoStories/joseph-bruchac.aspx

Handbook of Texas, Tigua Indians www.tshaonline.org/handbook/online/articles/bmt45

National Museum of the American Indian www.americanindian.si.edu

Ysleta del Sur Pueblo www.ysletadelsurpueblo.org. Includes a photo of Miguel Pedraza

Publications

Wright, Bill. The Tiguas: Pueblo Indians of Texas. El Paso: Texas Western Press, 1993.

Field Trips

Tigua Indian Cultural Center hosts dances and tours led by tribal youth, 305 Yaya Lane, El Paso, Texas 79907, 915-859-7700.